Mark Wallace | FD Photo Studio
Main +1 (323) 454-2323
530 East 8th Street; 5th Floor
Pro Studios +1 (323) 454-1314
224 East 11th Street; 2nd Floor
Art Studios +1 (213) 536-5631
1048 Santee Street; 5th Floor
Hill Studios +1 (213) 536-8030
1808 S Hill St; 2nd Floor
Olympic +1 (323) 968-1089
3316 E Olympic blvd
Yukon +1 (424) 453-2162
12828 Yukon ave
LA Lofts +1 (323) 997-8644
656 s Los Angeles st.
LIC Studios +1 (844) 644-3377
4020 22nd street; 4th floor
N.Y. Astoria +1 (917) 745-0053
35-58 37th Street, 3rd floor
Scott (Brooklyn) +1 (929) 337-6425
114 Scott Ave, 3nd floor
Metro (Brooklyn) +1 (347) 227-7629
1003 Metropolitan ave
Chicago +1 (312) 291-9092
124 N Campbell Ave
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Mark Wallace

If you ever rented out a simple white wall photo studio that happened to have only white color backdrop, and for some reason you need to shoot a model against black background, how will you make it work? In this episode with AdoramaTV and Mark Wallace we explore a pretty...

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In the last post with David Bergman we learned to slow down, to analyze your shot, to shoot manual. We also learned that those conditions help foster your creativity and push your artistic boundaries without any help of hefty camera features. Shooting with manual Aperture in particular gives you a...

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Shooting with Natural Light is both exciting and challenging experience. On hand, due to the fact that you cannot control the intensity of natural light, your camera will be constrained to higher ISO numbers, wider aperture and faster shutter speeds. To balance this triangle  of exposure you would have to...

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In this great tutorial released on Adorama TV, Mark Wallace shoots high contrast profile portrait using just one low-key light with the grid and a bounce board.  Equipment For this shoot Mark uses one 2' octabox with the grid, facing the model from behind, camera's right. From the opposite side, to fill in shadows...

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One of the most common things that photographers do when they get to use a studio strobe is they take the standard 7 inch reflector off the strobe head and put a soft box instead. So most of the time our clients do not even shoot with the 7 inch...

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What is your workflow when you shoot at the studio? How do you prepare? What is the strategy? As with any other important event where your skill has to shine, a certain level of preparation is definitely required. While there has been a plenty of articles written by FD, we...

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