Ever wondered why a photographer would use a colored backdrop, pay extra cash for it and spend more time setting it up instead of just editing it in the post? The answer is double-sided. Firstly, in many cases it actually takes more time to edit the background out in the post-production rather than have it placed already behind at the time of the shoot. Secondly, with the proper background lighting in place it is virtually impossible to imitate the play of soft shadows overlaying the backdrop with unique gradient and other subtleties. Photographer Robert Tate had a few backdrops in his arsenal. And he made a shot.
There is not much information about Robert’s professional enterprise. Yet it leaves us eager to find out more about this amazing photographer:
“Robert Tate is an experienced photographer whose work focuses on fashion and portraiture. Robert’s work has been featured in various publications and countless fashion brands’ look books and catalogs. “
The PHOTOGRAPHER for the shoot was talented, published fashion photographer RobertTate. Have a look at his portfolio on INSTAGRAM or WEBSITE. The MODEL, stunning Gul Bahari is on INSTAGRAM as well for your entertainment and professional inquiries. STYLING work was performed by Saniyyah Bilal. Make sure to check her INSTAGRAM page for more info.
Stage C was a choice of this creative collective for several reasons. Besides a tremendous space capacity perfect for both, large crews and small teams this stage provides a white CYC wall that is always freshly painted for each client. In addition to the prop count, a grass wall and a wood floor corned section installed for your creative exploration. With large South and East facing windows, this stage gets lots of natural light throughout the day. Find out more about stage C on our WEBSITE.